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The African continent has a culture of fashion in several variants. Local production of African outfits, although still limited at the artisanal level, remains prolific in his inventiveness and dynamism.
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To date, Africa appears to be a growing source of inspiration for fashion designers worldwide. In Africa there are embroidered tunics, which are traditional clothes prestige. These are common in the middle-class in countries such as Cameroon, Nigeria and other countries in West Africa. The names for these costumes vary from one country to another. In Cameroon, for example, this outfit is called "Gandoura" while in Nigeria it's called "Agbada." All tunics are combined with accessories such as caps or fez that is placed on the head at the convenience of the user. Other hand-woven tunics are also remarkable in terms of originality and irresistible beauty they provide. The north-west Cameroon is a stronghold of the manufacture of these garments embroidered by hand.

African fashion, beginning to get noticed on the international stage, turns increasingly to traditional colorful fabrics to marry other materials and adopt more traditional cuts, absorbing influences from Europe.

"I think African fashion has exceeded prints, motifs and beads typically African," said South African designer David Tlale, who presented his collection at Africa Fashion Week in Johannesburg in late October.
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"We can not stay stuck in the past ... The world has evolved, trends have changed!"

His collection of ready-to-wear features simple cuts, the miniskirt to the long dress in the colors of sunrise and sunset yellow to burnt orange and black. Without traditional designs.

If the Nigerian based in Ghana Titi Ademola sticks to bright colors made known African fashion, she chose for her label Kiki Clothing resolutely modern cuts to meet the needs of its customer base: working women.

"It is wonderful to use these beautiful prints that are at our disposal, but the African fashion is more than that," she says.

Two Spanish designers settled for three years in Kigali. With their signature Mille Collines, they claim their African, but do not forget their origins.

"We do things the wrong way, because we are European designers based in Africa, and create for Africa," smiled Ines Barcelo Cuatrecasas, co-founder of the brand of Rwanda.

"People think that African women comes from his village. Yeah ... but there is a new African woman," said his colleague Marc Oliver.

Clothes of cotton and polyester are clearly Western-inspired, finished with hand-embroidered African designs. They are accompanied sisal bracelets and necklaces made of tin and wood.

Their target? The African African who wants to stay, but not averse to external inputs. Clients and also not a lot of African exoticism.

The London-based Congolese Tina Lobondi also uses African prints, but adds luxury leather and other fabrics.

"We never use the term European fashion + +, so why do we use that of African fashion + +? I am a designer of African origin who tries to bring a little of my culture in my designs, but I do not want my clothes are labeled + + African fashion, because to me that word does not mean anything, "she says.

The organizers of the Africa Fashion Week want to be a launching pad for African brands, which could one day rival the greatest.
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But if these high-end designers are pushing the boundaries of African fashion, many Africans are proud of their roots, and refuse to compromise on prints and colors.

For Folake Kolawole, store manager An African Influence in Randburg, a middle-class neighborhood of Johannesburg, "the African fabric is unique."

Dorothy Phiri, a buyer insists first on a cocktail of colors and African prints, "and then, after the design. This is showing that you are in Africa!"

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